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ANDREW SARRIS THE AMERICAN CINEMA PDF

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Andrew Sarris: Director Categories from “The American Cinema: Directors and Directions ” [Published in ]. “The American Cinema is more than . The American cinema: directors and directions, Responsibility: by Andrew Sarris. Edition: 1st Da Capo Press ed. Imprint: New York: Da Capo Press . Andrew Sarris. · Rating details · ratings · 16 reviews. “The American Cinema is the Citizen Kane of film criticism, a brilliant book that elevated American.

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Want to Read Currently Reading Read. A few unrelated observations.

This is clearly a Herculean effort by a professional reviewer who has seen many thousands of films. Dane rated it it was amazing Sep 30, In addition, the book includes a chronology of the most important American films, an alphabetical list of over films with their directors and years of release, and the seminal essays “Toward a Theory of Film History” and “The Auteur Theory Revisited.

Views Read Edit View history. What can one say about a book that inspired a generation of cinephiles? Ari rated it liked it Oct 20, I’m not sure they do what he accuses them of anyway. Each director is given a one- to two-page pen picture with a filmography that indicates the most important works.

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Browse related items Start at call number: To purchase short term access, please sign in to your Oxford Academic account above.

Little of the above is questioned today, although the age of the franchise film and decentralized production saarris more exacting standards and judicious selectivity on the part of viewers.

This greatly simplified the task of writing about film history, as it funneled the act of evaluation toward a single figure. Pages contain marginal notes, underlining, and or highlighting.

Mar 24, Andy rated it liked it Shelves: From Wikipedia, the free encyclopedia.

Nov 03, Cinemike rated it it was amazing. On one hand, he criticizes “Literary” critics for missing the mastery of the image displayed by his pantheon directors, and then is angry at Lean and Kubrick for their privileging of the image over the narrative meaning.

This is almost a little redundant considering how personal Sarris probably considered his ratings but the sort of confusion of quality as a director with distaste for the directors subjects or style is like very obvious and strangely contradicts his own supposed anti-moralism.

Lest you think a paragraph or three may give short shrift to an entire career, I’d wager the intent was to right the balance of popular estimation, and to highlight contours some not always easy to discern of an oeuvre, rather than bog down with obsessive detail.

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Jul 05, Paul Secor rated it it was amazing Shelves: A snapshot in time yet still relevant. Return to Book Page. It would be interesting to see this pursued further. Finally there is a rather dismissive section on women directors, which, thankfully, hopelessly inadequate.

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The American Cinema

May not contain Access Codes or Supplements. No trivia or quizzes yet. Moreover as you work through directors in the lesser categories your eyes begin to glaze over. Directors and Directions —an opinionated assessment of films of the sound era, organized by director.

Andrew Sarris – Wikipedia

I also love his response to Pauline Kael! Advanced Book Search Browse by Subject. Lists with This Book. One or two paragraphs on directors you have never heard of, lists of films you will never see.

Indispensable, and a testament to Sarris’s establishment of a robust, eloquent and organic approach to auteur theory in the U.